It seemed as though a private chapter was quietly developing in front of the public when Todd Bridges wed Bettijo B. Hirschi in late 2022. He was the final surviving member of the original cast of Diff’rent Strokes, a character molded by notoriety and rehabilitation. Her legacy, on the other hand, was based on design, motherhood, and purposefully slow content.
A friend with connections introduced them. After what she called “six months of bad experiences,” Bettijo had recently vowed to never use dating apps again. Unwilling to let her give up, the same friend made a new profile and unintentionally showed it to Bridges. What started out as informal criticism evolved into something much more permanent.
| Name | Bettijo B. Hirschi |
|---|---|
| Profession | Designer, Photographer, Writer, Blogger |
| Known For | Founder of Paging Supermom, appearances on Martha Stewart Show |
| Education | Brigham Young University |
| Marriage | Married Todd Bridges in September 2022, separated January 2026 |
| Children | Four children from previous marriage |
| Notable Work | Lifestyle blog, national magazine features, DANG! podcast |
| Public Recognition | Known for timeless design and family-focused content |
| Reference | Source: People Magazine |
On a stroll along the beach six months after they first met, Bridges proposed. The gesture was genuine and impulsive. Bettijo agreed, and three months later, they were married in front of their six children from prior marriages at the opulent Greystone Mansion in Beverly Hills. The bride wore a dress that she had designed herself, drawing inspiration from the tailored elegance and old-Hollywood silhouettes. A long train of satin. a square neckline. A veil that was almost seventeen feet long.
Bettijo created a look that felt remarkably personal and timeless without overdoing it by working with her own aesthetic instincts. Their first dance to Etta James’ “At Last,” which echoed the sentiment expressed by many in attendance—that perhaps, after significant hardships, both had found peace—marked the conclusion of the ceremony.
While Bettijo was raising four younger children of her own, Bridges brought two adult children into the relationship: Bo and Spencir. Instead of running away from the difficulties of merging families, they embraced them, frequently discussing parenting, religion, and their common beliefs in public. Together, they started the DANG! podcast, which featured candid discussions about addiction, anxiety, and resiliency—subjects neither of them was afraid to tackle.
Their public presence never felt forced in terms of aesthetics. A large portion of their narrative was influenced by Bettijo’s experience as an editor and photographer. Although her lifestyle blog, Paging Supermom, featured a lot of neat images and useful do-it-yourself projects, it also contained a deeply ingrained intentionality philosophy.
Bettijo called them a “interfaith couple” in an interview on Tamron Hall in December 2024. She was brought up in a Christian home that was characterized by structure and discipline, which she claimed she used to perceive as rules but now saw as a framework for guidance. She clarified that Bridges had a similarly intimate relationship with God. “We hear Him in the same way,” she remarked. That simple yet remarkably accurate phrase stuck with me.
It’s evident that they discovered true common ground in their shared experiences as well as their faith. They were both divorced. They had both experienced adversity. And both, they frequently claimed, had given up searching for love before unintentionally finding it.
Bettijo’s inventiveness extended beyond her work in photography and fashion. In addition to appearing as a guest on the Martha Stewart Show, she was highlighted in national magazines such as Parents, Real Simple, and Allure. Her career was independent, but it never overshadowed her motherhood. She was remarkably successful at creating room for both, and she still is.
Their announcement of separation in January 2026 was especially poignant because of this. There was no hint of scandal or resentment. The tone of Bridges’ statement was remarkably unambiguous: “My spouse and I have made the difficult decision to separate after much prayer and reflection.” This was not an easy decision, he added, and it is accompanied by love and appreciation for the life we had together as well as a heavy heart.
He requested privacy. He conveyed gratitude. In prayer, he raised his ex-partner.
The most striking thing was what was left unsaid: neither performative melancholy nor veiled jabs. Simply the silent recognition that something significant had come to an end and that it should have done so with honor.
Their handling seemed especially creative when compared to how the majority of celebrity splits play out. It served as an example of how endings can be presented with both mutual grace and honesty.
They were a story rather than a spectacle during their time together. One concerning rediscovery. regarding family. about the connective tissue of faith. And about how the most meaningful relationships aren’t always meant to last but rather to mold us in the process.
At sixty years old, Bridges is still a well-known public figure with an exceptionally intimate past. Bettijo, on the other hand, returns to her richly complex private life, which is characterized more by deliberate creation than by approval from others.
Even though their marriage ended, it’s still important to notice the tone they set, which is especially respectful and remarkably genuine.
There are endings that don’t feel like failures. They resemble complete circles that are silently closing.
